So my AlienBees ringflash showed up on Friday, and I finally got time to play with it this weekend.
At $400, it sits in between the $150-$200 speedlight adapters (RayFlash, Orbis) and the $1000-3000 (head only) high-end professional ones (Profoto, Elinchrom, etc.). If you keep that in mind, everything seems to make sense.
It's a lot more powerful than the RayFlash/Orbis, it has a modeling light, and it takes different modifiers (I bought the 20° grid and the 30" moon unit). On the other hand, by being stick-on modifiers, the RayFlash and Orbis support TTL metering, which is really easy to overlook the importance of. With the ABR800 (and the high-end units), if you walk closer to or further away from your subject, you have to stop and re-meter (or do a few shots of trial and error). So even though I have the bee, I'm still thinking about picking up one of the other two (for epic, shadowless fill flash).
I haven't actually used any of the high-end ringflashes, so I can't really speak from experience. I've heard that the bee is a lot lighter though. On the other hand, the high-end ones are a lot more powerful, a lot more adjustable, and are built like tanks. What do I mean by adjustable? Well, the bee has adjustments that allow you to center the lens in the central opening. What it does not have are adjustments to let you tilt it up/down or side to side. This is a lot more important than you'd think. If you're shooting a full-length portrait with it, you want to be able to tilt the light up so the face is well-illuminated. You can kind of angle the camera to the side in the bee, but it won't necessarily stay in that position.
As far as quality of light goes... it looks like a ringflash. It's better than the cheaper flash mods, but not quite as good as the ones that cost 6 times as much. It's really a moot point though, since the cheapest ringflash head/pack combo is the profoto acute 2 head and acute 1200 power pack, for $2500.
The quality control leaves a little to be desired. When I first tried attaching the moon unit, it wouldn't fit. There were 3 or 4 nubs left from the injection molding process, and I had to sand those down with a dremel before it would lock in place on the ringflash.
The process of attaching your camera to the ringflash is simply hellacious. You have to screw it on with a stubby little screw using a flat head screwdriver, through a smallish gap on a sliding plate that you can't remove from the unit, and then hope that you got it centered. The screw is non-captive, so it's all too easy to drop it and lose it if you're on location. Since everything's plastic, I doubt I'd be able to add an arca-swiss mount to it. This is the one thing that I hate most about it. If they just came up with a better way of attaching the camera, and gave you more positioning adjustments, it'd be a really great light. As it is, it's just decent. It does make a pretty nice hard light source off-camera though.



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